2009年4月9日 上午8點06分00秒中国书画收藏欣赏一己见 3

4、《花鸟》作者：溥  佐 尺寸：65×43cm,纸本设色
4, "bird" Author: Pu file size: 65 × 43cm, paper colors
本作品是被称为“花鸟画大师”的爱新觉罗?溥佐的力作。画面表现：在如同蚻龙一般的松树上“一对情侣”将要分别，“小伙子”探探头，准备时刻下去为自己的 爱人觅食，一旁的“姑娘”在深情地看着，为自己的爱人“祈祷”——愿心爱的人平安归来……这些一笔不苟、细腻精美的花鸟作品具有现代宫廷画派画家的艺术特 点。（现代宫廷画派虽然有所改变，但其代表画家还仅限于爱新觉罗家族之内。宫廷画之所以受到追捧的原因有二。其一，宫廷画的一大特点就是雅俗共赏，它的造 型精确、主题栩栩如生，所以才会受到那么多老百姓以及高品位收藏家的喜爱； 其二，因为这些作品出自于爱新觉罗的皇室家族，在收藏市场上凡是与皇室挂钩的藏品都会受到收藏爱好者的追捧，所以收藏宫廷画的人也是越来越多。）溥佐先生 画画时用纸不同，一般工笔画多使用熟宣纸，写意画多使用生宣纸中的皮纸，他比较喜欢用那类比较柔软的皮纸。
The works are known as "bird-Master," the Aixinjueluo ? Masterpiece po file. Screen performance: In general, as the pine trees on the flying dragon, "a pair of lovers," to be separately, "young man" into the probe, be ready at all times for their lovers in search of food, one side of the "girl" looked at with deep feeling for their own Lover, "prayer" - would like to return peace to your loved one and ... ... these a careful, delicate flower exquisite works of modern art palace features the artist painting. (Modern School Although the court has changed, but the artist is also limited to the representative of the family of Aixinjueluo. Draw the court's reason for being sought after for two reasons. First, draw the court is one of the major characteristics of tastes, and its modeling accuracy, subject to life, so will be subject to so many people, as well as high-grade collector's favorite; Second, because these works from the royal family in Aixinjueluo in the collection of the market on all of the collections and the royal family will be linked to Favorites lovers of the pursuit, so collections court also draw more and more of the many people.) draw when Mr. Smith and file paper vary, but generally the use of many familiar Painting paper, draw freehand Health paper use fur in the same paper as he prefer the relatively soft, the same paper as the fur.
溥  佐 (1918-2003)，满族，1918年5月7日生，号庸斋松堪,北京人。自幼在父爱新觉罗?载瀛,及兄溥雪斋、溥敦斋、溥松窗熏陶下，酷爱书画。
1937年加入溥雪斋创办的松风画会。擅长山水、花农，为爱新觉罗家庭成员。天津美术学院教授，中国美术家协会会员。
Pu file (1918-2003), Manchu, May 7, 1918 Health, its fast-Song Kan-yung, Peking Man. Father at an early age Aixinjueluo ? Ying contained, and brother Pu Xue fasting, fasting Bouton, Pu Song window under the influence, very fond of painting and calligraphy.
Pu Xue 1937 add Matsukaze zhai draw will be founded. Good at landscape, flower, in order to Aixinjueluo family members. Professor of Tianjin Academy of Fine Arts, the Chinese Artists Association.
5、《山水》作者：启功 尺寸：57×36cm,纸本设色
5, "Landscape" Author: Qi Gong size: 57 × 36cm, paper colors
本作品是《仿元人笔意》，估计是作者早年的作品。元朝年代虽然暂短，山水画却得以发展，超出其他画种。元朝山水画所以最为盛行与 发展，应归功于元四家：黄公望、王蒙、倪瓒、吴镇，以及元初著名书法家、画家赵孟頫。明朝王世贞《艺苑卮言》记述：“山水画至大小李一变也，荆、关、董、 巨又一变也，李成、范宽又一变也，刘、李、马、夏又一变也，大痴、黄鹤又一变也。”评估元代四家对山水画的发展，认为元代的山水画主要以水墨山水为主，皴 法又多为披麻皴长短变化，山峰重叠堆砌、树木繁杂葱茏。作者在此画中“简笔大气而又一笔不苟”好像写文章的“言简意赅”一样地厚积薄发。
启老先生的作品以书法著称，其画作并不多见。
The works are "like brush million people", it is estimated that the early years are the author's works. Although the brief era of the Yuan Dynasty, but the development of landscape painting, draw in excess of other species. Yuan Dynasty landscape painting is so popular with the development of 4 million should be attributed to: Huang Gongwang, Wang, Ni Zan, Wu Zhen, as well as the famous calligrapher Yuanchu, Zhao Mengfu artist. Ming Wang Shizhen "Zhiyan Art" Description: "Landscape Li Tai is also one change, Jing Guan, Dong, giant also another change, Li Cheng, Fan Kuan's also another change, Liu, Lee, MA, summer another variable also, big buff Hwanghak also another change. "evaluation of the Yuan Dynasty of the four pairs of landscape development, consider the Yuan Dynasty landscape painting of mountains and rivers mainly based ink, landscape painting draw many to put on the length of Ma cracked Change, peaks a pile of overlapping, complex verdant trees. The author of this painting at "Jane atmosphere and a careful pen" if the article was "concise" as to the accumulation of very many of the places from an early age manifested.
Kai calligraphy in his work is known, its painting rare.
启功（1912－2005年）中国当代著名教育家、国学大师、古典文献学家、书画家、文物鉴定家、诗人，满族，爱新觉罗氏，是清世宗的第五子和亲王弘昼的 第八代孙。北京人。字元白，也作元伯。幼年失怙且家境中落，自北京汇文中学中途辍学后，发愤自学。稍长，从贾羲民、吴镜汀习书法丹青，从戴姜福修古典文 学。刻苦钻研，终至学业有成1933年经傅增湘先生推介，受业于陈垣，获闻学术流别与考证之学。后聘为辅仁中学国文教员；1935年任辅仁大学美术系助 教；1938年后任辅仁大学国文系讲师，兼任故宫博物院专门委员，从事故宫文献馆审稿及文物鉴定工作；1949年任辅仁大学国文系副教授兼北京大学博物馆 系副教授；1952年后任北京师范大学副教授、教授。中国人民政治协商会议全国委员会常务委员会委员、国家文物鉴定委员会主任委员、中央文史研究馆馆长、 中国书法家协会名誉主席、北京师范大学教授、博士研究生导师。九三学社顾问、国家文物鉴定委员会主任委员、中国书法家协会名誉主席，中国佛教协会、 故宫博物院、国家博物馆顾问，西泠印社社长。2005年6月30日2时25分病逝于北京。其主要著作《古代字体论稿》、《诗文声律论稿》、《启功丛稿》、 《启功韵语》、《启功絮语》、《启功赘语》、《汉语现象论丛》、《论书绝句》、《论书札记》、《说八股》、《启功书画留影册》。
Qi Gong (years 1912-2005) a well-known Chinese contemporary educators, Master Guoxue, scientists classical literature, art, cultural identification, and poet, Manchu, Aixinjueluo's is the fifth son of King Sejong-ching, and Prince of the Hong Zhou Sun eighth. Beijingers. White characters, but also for the primary element. Early drop off and the death of his father, since the Beijing Huiwen school after dropping out of school, learning to work harder. Longer, from the Xi Jia-Min, Wu Jing Ting Xi Dan calligraphy, JiangFu-Dai Xiu from classical literature. Study hard, and finally to achieving by 1933, Mr. Fu Xiang by referral, by the industry in the Yuan, has been heard in other academic stream of study and research. Appointed after the Chinese Catholic school teacher; in 1935 Fu Jen Catholic University Fine Arts Department office assistant; in 1938 he was appointed a lecturer in Chinese at Fu Jen Catholic University, who also served as special members of the National Palace Museum, Palace Museum to engage in museum literature review and identification of the work of cultural relics; Ren Fu Jen Catholic University in 1949 and Literature Associate Professor and Associate Professor, Department of Beijing University Museum; in 1952 he was appointed associate professor of Beijing Normal University, Professor. Chinese People's Political Consultative Conference Standing Committee member of National Heritage Commission to identify a member of the Central Museum curator of literary historical research, and Honorary Chairman of Chinese Calligraphers Association and Beijing Normal University professor, mentor graduate student doctor. Society of consultants, identification of National Heritage Committee chairman, honorary chairman of Chinese Calligraphers Association, the Chinese Buddhist Association, the National Palace Museum, National Museum of consultants, Xi Ling lettering engraved seal of the society president. At 2:25 on June 30, 2005 passed away in Beijing. The main book "version of the ancient font", "sound poetry on the draft law," "draft Cong Qi Gong", "Qi Gong Yun language", "Qi Gong Editor", "Qi Gong language superfluous," "Essays on Chinese situation "," book of quatrains, "" On the book notes, "" said the eight-part essay, "" Qi Gong book painting pictures. "
〖艺术特色〗启功先生是当代著名学者、画家和书法家。他著作丰富，通晓语言文字学，甚至对已成为历史陈迹的八股文也很有研究；生前非常崇拜明末清初著名的佛门巨匠、诗人、书法家破山禅师。他做得一手好诗词，同时又是古书画鉴定家，尤精碑帖之学。
〖Art features〗 Qi Gong is a contemporary well-known scholar, artist and calligrapher. He works rich in language proficiency in language study, and even has become a thing of the past studies of the Eight-part Essay is also useful; his very well-known worship of the late Ming and early Qing Dynasty Buddhist master, poet, Zen master calligrapher broken hill. He single-handedly done better poetry, calligraphy and painting at the same time, identification of ancient family, especially fine rubbing from a stone inscription of the study.
6、《花鸟》作者：于非闇 尺寸：69×43cm,纸本设色
6, "bird" Author: non-dark-size: 69 × 43cm, paper colors
本作品是《双寿图》画中表现在挺拔而有韧劲的竹枝上，两只绶带鸟在窃窃私语：“似乎在赞美今天的盛世，也似乎在讨论健康的秘笈……”。
The works are "double-life map" shown in the tall and straight draw and tenacity on the bamboo, two sash at bird whispering: "It seems that today's prosperity in the praise, it seems the discussion at Healthy Tips ... ...."
7、《花鸟》作者：于非闇 尺寸：78×40cm,纸本设色
7, "bird" Author: non-dark-size: 78 × 40cm, paper colors
本作品是作者晚年的作品，一只小鸟立于梅竹枝上，画面布局严谨，用笔劲健，设色明丽典雅，形象生动，富于装饰性。并与瘦金体书风统一和谐，表现出欣欣向 荣、健康向上的审美情怀。T他认为“色彩柔和是第一特点，线也是特点之一；其作品取材和表现手法上力求贴近现实生活，达到雅俗共赏。
This work is the author works in his later years, a birdie on stand-mei bamboo screen layout strict bold pen strong, elegant colors Ming-li, the image of a lively and full of decorative. Body with thin gold style unity and concord, showing thriving, healthy aesthetic feelings. T consider him "soft color is the first characteristic is a characteristic of line; its work practices and performance based on real life, seek to close to tastes.
于非闇 （1888-1959）满族，原名于照，别署非厂、闲人生于北京。。擅长工笔花鸟、书法及治印。曾为北京画院副院长，中国画研究会副会长，中国美术家协会会员。
于非闇是当代工笔花鸟画的重要代表性画家。早年曾从事写意花鸟山水画创作，1935年以后致力于工笔花鸟画，艺术高峰时期在20世纪四、五十年代。于非闇 说：“我的学习是以宋元以前为主，以赵佶为中心环节来进行研究与分析”。曾长期从事于对古代绘画作品的临摹、默写与研究，并借鉴宋元明清丝绣和民间绘画， 同时坚持长期写生。他在青年时期曾从民间画师王润暄学习养花养虫鸟和制作颜料，对花鸟的生态、习性作过深入观察。这些都为于非闇后来的艺术成就奠定了坚实 的基础。他继承并发扬了唐、五代、两宋以来工笔花鸟画的优秀传统。于非闇的工笔双勾重彩花鸟画，主要吸收了三方面的营养。一是从古代绘画遗产中汲取传统精 华。二是于非闇注重从写生中体察物理、物情、物态。三是于非闇不时借鉴民间绘画中优秀的技法。比如装饰风格、色彩的对比与协调，以及朴素祥和的题材与审美 习惯。这些都使他的作品获得了广大的接受群体。
FeiChang-Yu (1888-1959) Manchu, formerly in the photos, not the Department of non-factory, born in Beijing idlers. . Good at bird bird, calligraphy and Indian governance. Was vice president of the Beijing Painting Academy, China's vice president of the draw, the Chinese Artists Association.
FeiChang-Yu fine brushwork of contemporary artist representation of important bird and flower painting. Early bird freehand landscape painting had been involved in creation, in 1935 after working fine brushwork bird art in the 20th century during the peak period of four, the fifties. In non-secret, said: "My study is based on the Song and Yuan Dynasties ago mainly to Zhao Ji as the central aspect to carry out research and analysis." Has long been engaged in the ancient paintings on the copying, dictation and research, and learn from Song, Yuan, Ming and Qing Dynasty silk embroideries and folk painting, sketching at the same time adhering to the long-term. Youth had at him from the civil artist RunXian-Wang Yang-pest plant flowers in bird study and production of pigments, on the bird's ecology, the habits of observation depth. These are dark later in the non-artistic achievements have laid a solid foundation. He inherited and developed the Tang, Five Dynasties, Song bird has a fine tradition of fine brushwork. The fine brushwork in the non-dark color bird double hook heavy, mainly in three areas to absorb the nutrition. First, from the ancient tradition of painting learn the essence of heritage. Second, pay attention to FeiChang-Yu painting in the show from the physical and material conditions, state. Third, from time to time in the non-secret from people in the excellent techniques of painting. Such as style, color contrast and coordination, as well as the simple aesthetic harmony with the habits of the subjects. Which have allowed him access to the vast number of works of the accepted groups.

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2009年4月9日 上午8點03分31秒中国书画收藏欣赏一己见 2

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2009年4月9日 上午7點54分00秒中国书画收藏欣赏一己见 1

中国书画收藏欣赏一己见
Appreciate their own collection of Chinese calligraphy and painting, see
――――――从自己收藏中谈鉴赏Collections from their own appreciation talk
顾绍骅著ShaoHua－Gu Books
【编者按】凤凰网论坛 《书香门第》版版主陈少儒老师让我讲讲如何鉴赏中国书画的知识，十分高兴陈版主对我的信任与欣赏，说实话：欣赏与鉴定有着很大的不同，我个人认为：欣赏是美的享受，而鉴定是非常细致而准确、机械的工作并且需要见多 ...

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分類: 中国书画欣赏与探究 | 146 瀏覽數 | 發表評論 | 與朋友共享 | 推薦

Posted at Sunday,Dec 23 2007, 03:24:50 PM (www.iuniverse.com)Apocalypse: Shadow Asylum by Sandy King

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